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    Packaging will be damaged. One person found this helpful. I have owned grills and griddles before but this one is by far the best made.

    It has a large cooking surface about 16" by 11" and the dual surfaces grill and griddle are convenient. The slope of the surface helps the grease drain, which I love.

    The ceramic coating prevents scratching and keeps food from sticking and makes clean-up a breeze. The grill plate and the fat collector can both be washed in the dishwasher.

    The product description says the heat gets evenly distributed and my experience has been that it does a pretty good job on that--much better than the other products I've owned.

    It weighs about 10 pounds so it can be a bit of a chore to haul it from the storage cabinet when needed. I wish I had the counter space to just leave it out.

    I've owned other De'Longhi kitchen products and they are all built to last, so I know I will be using this grill-griddle for many years.

    We cooked a full breakfast on it. On one side was bacon and sausage patties and on the other, we cooked the pancakes. The griddle section cleaned up nicely with hot soapy water.

    I washed it by hand and it didn't take very long. There's also a drip catcher that goes below the griddle area that also cleans up quickly with hot soapy water.

    Most power cords on kitchen equipment seem to be designed with optimistic thought that every kitchen has outlets aplenty and always within 2 feet of where you want to use the appliance -- this is no exception.

    Luckily, those of us who actually use our kitchens know how to cope with short appliance cords or shortly learn to cope.

    All in all, a really nice appliance when you need a griddle and a grill. The instructions say not to use outdoors but I'm assuming that means don't use it in inclement weather -- my thought was to use it with an extension cord when having bbq parties and needing more cooking surface than just the bbq and for those who object to food from charcoal grills.

    A large appliance that took up my entire stove top, but works nicely for fixing a traditional breakfast without having to have a grill going on one electric burner and pancakes on another.

    The grill and griddle are not divided for some reason.. That is not terribly inconvenient depending upon what you are cooking, but you need to take it into consideration when preparing pancakes as to size and number if people being served.

    Fat did drain away from the grill, the plates were easy to clean. Keep in mind that it is a bigger than normal grill and if you have limited storage space it might be a challenge to find room for it.

    It has a short power cord and I would hesitate to use an extension cord with it to try to use it outside. The instructions say for indoor use only, and I intend to take them at their word.

    It is also at the high end of the price range for this type of appliance and it is up to the buyer to determine if the additional cost is worth it.

    Heats up quickly Does not smoke.. Easily hand or dishwasher washable Removable grease trap Cons: Does not cook thicker meat cuts all the way through.

    There is no cover to keep the heat in to do so, and no top grill like you find on the George Foreman's Not easily stored. It's too big to fit in a cabinet easily without scratching the surface up Removing the grill is easy enough but getting it back together is a royal pain in the you know what!

    The plug is on the wrong side of the grill for our household. I wish they would put them in the middle so it could reach the outlets without being backwards regardless of how your counter is configured.

    Well constructed and sturdily made but it's usefulness is limited. I remain on my search for a grill to replace my family size George Foreman For most of my indoor grilling needs I use either a George Foreman grill or a Philips Digital AirFryer--however, I was interested in trying this product with the dual grilling areas.

    Very easy to clean. Burgers tasted better than they do with the George Foreman grill--but this is because most of the fat from the burgers remained in the burgers.

    When I use the George Foreman grill the weight of the top presses the extra fat out and it drains away. Obviously, the fat improved the taste--but it will also add to the calorie content.

    Nice to have two areas to cook. It also took much longer to cook than the Foreman and Philips product. Uneven heat--there were areas where the heat was not as hot as other areas and the burgers placed there had to be cooked much longer or moved to the hot areas when those burgers were done.

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    Let's get down to the nitty gritty here. The first one in this second batch is 'Speaking In Tongues'. It was their last release for WEA Records and a point in their career where rumour suggested that the band started to fall out.

    Certainly, some of the material is fairly lightweight and hardly at the cutting edge of earlier records. It was the dawn of the drum machine and the disco beat in their music.

    It sparked bemused comment from some disconcerted fans. However, it does contain the mighty 'Burning Down The House'. There are remixes of this track on the CD and DVD as well as a video on the latter but it seems to be one for the completist.

    However, the album still had some filler material and the extra tracks - yes, even the Pop Staples version of Papa Legba - are pretty disposable.

    The main plus is that the DVD contains the promo videos as opposed to live versions of the songs. With their next record, 'Naked', there was something of a return to form with Mr Byrne's interest in South American music seemingly introducing a funk that had been lost amongst the studio gadgets.

    Unfortunately, the extras here are pretty limited with interest only added by some more music video promos. With the last release here, 'Little Creatures', that return to form was sustained and provided one of their best-known songs, 'Road To Nowhere'.

    If you're a big fan of the song, the DVD contains the music video, too. So, all in all, the second batch isn't as enthralling as the first batch and might suggest that the Talking Heads fan pulls down the 'Storytelling Giant' video from their shelves with all their promo videos on it - what price this available on DVD soon?

    Getting a full release after being available for some time as downloads from his website, these cds are ample evidence that James Talley's talent and musical vision remain intact more than thirty years after his debut recording.

    His vision is to bring us tales of ordinary lives - his own and those he works among - and to mark in song the familiar trials and tribulations that most of us would recognise.

    All his influences are here: All of these are stamped with his warm, laid -back baritone. Frustratingly, at times, he has a tendency to sing in stacatto phrases which is a shame because when he connects the phrases you could bathe in the warmth of his voice.

    On occasion here he sounds remarkably like Willie Nelson - that nasal twang - but mostly he sounds remarkably unchanged from that 34 year old debut record.

    As a performer, he's definitely on the mellow side which might lead you to overlook the steel core at the centre of his music.

    There's sentimentality here and overt Christianity but in his own quiet way it's a radical Christian message that Jesus himself might recognise.

    On 'Cold Blooded Killers' - a country blues song if there ever was one - and 'The Most Influential Teacher', which has a blunt directness of language that George Orwell would have been proud of, James makes clear his disdain for those in power who would wrap themselves in their bibles whilst pursuing the most un-Christian behaviour.

    Performances of songs that cover his entire career, the first selection was released previously as 'Journey'. This second batch of songs has been added to in the studio to flesh out the sound but still retains the warm feel of a performance and features some beautiful musicianship.

    In fact, throughout both of these albums I'm reminded of liner notes Mike Nesmith wrote back in the 70's in which he said - to paraphrase - that his aim was to achieve the purity of intent and execution that Jimmy Rodgers and Hank Williams achieved in their time.

    Making it look easy is where the art lies, and that's what James Talley and his musical pals pull off. Apparently the record made quite a splash at the time, it's simple directness contrasting hugely with most other Nashville product of the time.

    Sadly, perhaps, for James Talley, it didn't lead to a lasting career as a musician; though still writing, he's had to earn his living in other ways.

    He takes a deep pride, though, in being a working man, working alongside ordinary folk, so maybe he's happy enough that that was how life turned out for him.

    Described in contempotary reviews as country-folk, these songs straddle those fields of music as much, and as well, as any other record you might care to name.

    The album opens with a swinging tune motored along by Johnny Gimble's fiddle that celebrates Talley's Oklahoma childhood and the Saturday nights when they would dance to "W.

    Lyrically, that about sets the tone for the rest of the album: So far, so sentimental, and the sweetness of the singing and the arrangements re-enforces that sentimental sound.

    Thirty years on when we've embraced the darker moods of alt. There is, however, a rugged spine to these songs, a rootedness in real lives that means they deserve their place of honour in the line that leads from Woody Guthrie to where we are today.

    So, "Give him another bottle, let him ease his mind". And whilst the Nashville mainstream would have given this a slow sickly over-sweet arrangement, Talley and his fiddler turn it into a fast-chugging railroad song, a celebration of the drunk's earlier life.

    Elsewhere, he gives us his take on "Red River Valley", beautifully played and with an added verse of his own in the middle; the famous tune is abandoned for a sparse dreamy sequence at that point in a songwriting experiment that reminds me of stuff Don Maclean was doing at the time, all of which makes it about as "folk" as you can get in an American context.

    Not content with that , "Sing Song Kitty", which I only knew from Doc Watson's version, turns up with different words - nonsense and otherwise- as "Daddy's Song", and sounds just great.

    It seems there are as many versions of that song as there are households that sang it. Throughout, the playing is warm, lively and sensitive and Johnny Gimble's fiddle is a particular delight; recording back in was a protracted and informal affair and the core musicians were augmented by more than a dozen others who "happened by", including a young John Hiatt who contributes the lead acoustic guitar on one track.

    All in all, a quiet delight. For his latest release, Jeff Talmadge has gathered some of Nashville and Austin's top musicians and produced an album that is as gentle as it is deep.

    Texan Talmadge has a rich experience to draw on for his poetic songs and has worked as a janitor, a Capitol Hill Congressional press secretary, an associate scout for a major league baseball team and a board-certified lawyer.

    Country and very easy going. Let Her Go showcases Talmadge's velvet voice and is some more easy going Country. Wrong Train sets me to thinking that it is going to be gentle sounds all the way through the album.

    This guy is so laid back and the idea for the song came from a time that he caught the wrong train in Groningen in the North of Holland.

    He says that he enjoyed the journey even though he was going in the wrong direction and sometimes in life we have to go in a different direction to reach our destination.

    Austin When It Rains has an obvious drumbeat! However, it picks up only slightly from those that have gone before but does have a sense of melancholy.

    Talmadge says that this is one of his favourite Dylan songs and that he'd always wanted to record it. He should be pleased with the result as the band plays as one.

    Because Of You gets him out of first gear - almost. Like the others, this skirts the area between folk, Americana and Country.

    Train From Amsterdam slows things back down again and is just so easy to listen to. This song came from his thoughts about how much his life had changed whilst on another train in The Netherlands.

    White Cross remains firmly in the slow lane and mixes Americana with Country. In the US it is common practice for people to place small white crosses at the scene of road accidents and it was spooky that both Talmadge and his friend, Claudia Russell, were both working on a song on this topic at the same time.

    They thought it would be best if they collaborated and the result is here. Scrapbook is an almost seamless transition from its predecessor and keeps up the gentle theme.

    This idea came from Talmadge thinking that every place he visits is like turning the page of a scrapbook.

    The slightly jazzy Chet Baker Street closes the album and Talmadge doesn't crank it up, even for the last song. This album is perfect for when you have a few friends around and don't want the music to completely drown out the conversation but still want to raise a few talking points.

    Texan singer-songwriter Jeff writes strongly and powerfully, much in the tradition of Townes Van Zandt and Guy Clark those especially called to mind - well at least that's on the evidence of Blissville , which would seem to be Jeff's fifth CD release.

    I was very much taken with the warmth of Jeff's idiomatic, honest, intimate, sometimes half-spoken vocal style, and by his plain-speaking and simply evocative lyrics.

    He cloaks his stories of regret and oblique reminiscences in attractively homespun and often decidedly ironic philosophy, a fetching combination that yields as much intellectual as pure listening pleasure.

    Examining the liner notes, though, Blissville would also seem to be, at least in part, an anthology of sorts, for it's stated that of the album's thirteen tracks, three had originally appeared on Jeff's album Bad Tattoo , whereas a further two are from 's Secret Anniversaries and two others from 's The Spinning Of The World the versions here differing in that they benefit from remixed vocals, it says.

    That leaves just six tracks having been newly recorded in But whatever the provenance or vintage of the songs here, Jeff's output is heard to be mightily consistent and always better than likeable, with the more recent tracks in particular really characterful in a soft-edged alt-country mode that's often reminiscent as much of the rootsy mid-period Band albums as anything else.

    Blissville sure makes you want to hear more of Jeff's work; indeed, I can't quite fathom why he'd never appeared on my own personal radar before.

    Jeff Talmadge - The Spinning World Bozart Records Singer-songwriter, acoustic guitarist Jeff Talmadge is an impressive talent from Austin, Texas who we haven't heard of this side of the pond for the usual reasons: We are privileged at NetRhythms that sometimes we get sent music that we wouldn't otherwise get to know about.

    Who is Jeff Talmadge? His website gives a little background information about the man, ' Associate Baseball Scout for a major league baseball team, Capitol Hill spin doctor, award-winning poet, practicing lawyer Jeff Talmadge is a man of multiple talents and many hats.

    The Spinning World is an album of polished songs which I've found easy to play again and again and hard to chose a favourite from. Care and craftsmanship are evident throughout - the lyrics are sharp and insightful, wry and witty, the musicianship with the assistance of Stephen Bruton on slide guitar, mandolin and mandola is excellent and on the twangy side of folk, and the backing vocals from Iain Matthews and Eliza Gilkyson are a joy.

    Throughout the collection of eleven songs the professional production by Bradley Kopp is bright, full and warm with acoustic guitars, gentle bass and percussion, strings cello and violin and touches of accordion and harmonica.

    His latest release, Bad Tattoo, which I've yet to hear, brings back several players from The Spinning World plus and she's always a ' plus ' Annie Gallup on backup vocals.

    Want to hear more? You may download soundclips from his website before clicking on to Amazon. We may live in a spinning world but Jeff Talmadge's albums are for those important ' time out ' moments - lay back and enjoy!

    Singer-songwriters of the Saharan desert, the Touareg ex-rebels Tinariwen, birthed distinctive blues grooves - intense and enthralling - now taken up by the young seven-strong Touareg blues-rock band Tamikrest.

    Their name "Tamikrest" is Tamashek the Touareg language for "union" and "knot" - a symbol for the desert, language and culture which unifies and binds them.

    And unified they are. A western band might be considered "tight" but Tamikrest are another thing entirely. The slow-paced caravan of bass-driven rhythms, electric guitars, tunes layered with claps and harmonies punctuated by the ululation of female backing singers and even echoes of the Eagles and a few reggae beats , become trance-like.

    The words of lead vocalist of Ousmane Ag Mossa in the Tamashek language seem totally comprehensible to the Western heart, even if to the ears they aren't.

    It's the universal voice of pain and passion of struggle, of war, the beauty of the desert, of travelling grooves and - ultimately and hopefully - prayers for freedom.

    If you need an actual translation, the sleeve notes are also in English and French. John Tams - The Reckoning Topic.

    John Tams rocks - oh, yes he does! You don't believe me? You think he's all songs of desolation, Napoleonic adventure and industrial turmoil?

    Think again, my friend. Just as it was surprising to realize that Unity , the album before this, was Tams' first solo outing, it's still a little shocking that, with more than 30 years' experience and a hand or two in at least one of folk-rock's seminal albums, Home is only the second collection to carry the Tams monicker.

    And, as might be expected, he's learned a thing or two with all those years under his belt. One of those lessons is to keep your material varied, for that way is the path to holding the attention of your audience.

    Thus, possibly with that thought in mind, he's penned some stirring uptempo firecrackers and sprinkled them, like hundreds and thousands, across his latest home-baked offering.

    The first of them, to draw the punters in, is track number one, You don't know me anymore. With telling, hurting observations, it concerns a man's realization that the relationship with his lover has lost its spark.

    But, though the song brims with sadness, it's sung to a strident beat pushed along by Keith Angel's drums, swollen by the lovely rich tones of Alan Dunn's Hammond organ and lifted by the first of many fine lead guitar breaks from Graeme Taylor.

    In stark contrast to the superficial happiness of the album's opener, track two is like a damp, overcast afternoon stood among the ruins of a derelict northern mill.

    Featuring just Tams - singing and playing guitar, bass and keyboards - and Angel, it's dark and doomy, with the percussionist really coming into his own.

    His marimba soaks through the melody with all the persistence of a relentless drizzle at the same time as his staccato drums seem to mimic short, sudden downpours.

    The song has a bleak beauty that's hard to ignore. In The ballroom , Tams slips into his pumps for the first of two songs marking the lure of the dance.

    Littered with characters looking for something they'll not find in this palais de danse, the song's filled with a sadness not entirely bereft of hope.

    Dunn again shines, initially on piano accordion and then with a delicious Hammond organ pattern filling the latter half of the song. Red gown starts with Tams' acoustic guitar and vocals, and the organ, this time played by Barry Coope, before Taylor lets rip with a perfectly measured lead break.

    Unlike The ballroom , the lyric is filled with the excitement and expectation of an evening's fun: But it's historical ballads at which Tams excels and Home has a belter right at its heart.

    She was an angel all in my eye, which made me from my colours to fly". He is eventually betrayed, court martialled and executed with a timely warning to all young men who fall in love.

    Other top-notch tracks on a top-notch album are: Right on time - Tams solo with his acoustic guitar - The traveller and Bound east for Cardiff.

    It may say John Tams on the front of the package but due credit must go to his fellow players, each of whom more than earns his crust here.

    In addition to the already mentioned Taylor, Dunn, Angel and Coope, Andy Seward 's bass is bang on the money throughout. Home is an album that reveals new treasures with each play.

    It's a natural progression, and a more than worthy follow-up, to Unity and it's stating the obvious to say that any who enjoyed Tams' first album will love this.

    JT call Home sorry! Music Of The Good Hope T2 The recent National Theatre production of the play The Good Hope , relocating the tale in Whitby, provided the vehicle for a new musical collaboration between Messrs Tams and Taylor reunited in an echo of former Home Service and Albion Band glories , providing a telling 17 minutes' worth of soundtrack that's recorded here.

    They've roped in the talents of Chris Coe, Alan Dunn, Charlie Hart and Clare Taylor; Chris Coe's is certainly the dominant presence, contributing some extraordinary vocals, hammer dulcimer and even some clogging!

    Personally, I could easily have done with three times as much music, but the absorbing and riveting nature of what there is proves a sufficiently poignant and effective tribute to the fishing communities around the tragedies of which the play is based.

    Named for a favourite hiking spot in the Adirondacks region of northern New York state, this is the new project by Mike Ferrio, the former frontman of Tandy which came to an end with the death of multi-instrumentalist fellow member Drew Glackin.

    Deciding to start over rather than continue without Glackin's integral input, Ferrio assembled a collective of musicians who played with names such as The Silos, Ron Sexsmith and the Guthries plus violinist Eleanor Whitmore to put together what he describes as 'an artistic project for a lost friend.

    Recorded live on vintage analogue equipment, the songs inevitably deal with the big issues of death, friendship, life and love, the music embracing elements of soul, rock, folk, gospel, and Americana with instrumentation that includes organ, horns, harp, strings and, notably on the wide open prairie skies ambience of More Than A Feeling no, not that one , harmonica.

    With tracks clocking in between two and a half and six and a half minutes, it's clearly a work born of great personal emotion, Ferrio's dusty timbre leaking wistful reminiscence and sadness but also, as with the uptempo The Seven Sisters, alight with hope.

    Lyrically there's much religious imagery alongside that of mortality and transience with, as on the sparsely arranged The Perfect Circle with its otherwordly background ambience, calls to make the most of the 'diamond days', before 'your deal goes down.

    One to let wash over you as things like Requiem For Andrew, On Faith and Heaven In The Haze with its gospel choir seep into the soul, it's both a poignant, reflective elegy and the birth of a new future.

    You know you're good when such an august figure as Steve Earle is in your corner. Just how good is demonstrated by the fact that yours is the first music he featured on his radio show.

    Rarely has a set of songs contained such an impact and achieved it so deftly. Tandy draws you into an intimate and personal world until you're not so much a listener as a welcome confidant.

    Ferrio's voice sits squarely in the middle of some gossamer delicate melodies and, throughout both albums, tracks build thoughtful layer upon thoughtful layer until they become utterly irresistible.

    Ferrio is joined on his endeavours by kindred spirits Ana Ege and Malcolm Holcombe. While both Ege and Holcombe are talented musicians, it's the combined spirit and determination of the three to cosset and comfort the music that provide the albums true delights.

    Tandy may not shout from the rooftops but its music is deafening in what it has to say. Ferrio and co display an unerring accuracy in getting to the root of every note and word, there is not a wasted second on either album.

    Musicians like Ferrio, Ege and Holcombe don't deserve labeling, leave that cheap trick for lesser talents. Two for the price of one - with a bonus track on each!

    There's two ways of looking at this. Either Tandy's publicist is pursuing the 'less is more' line of thinking or the band prefers to let its music do the talking because biographical details are scarce.

    The other members of the band are: Whether they are roots rockers, rock n rollers or something completely different, I'm A Werewolf hits with the force of an express train.

    A malevolent harmonica stalks it, like some unseen predator in the night, you can almost taste the fear. If you have a gravelly singing voice and write the kind of deep, dark songs that fit that voice perfectly, then there are certain people you must expect to be compared to.

    Tom Waits is one, Tom Ovans and Warren Zevon are a couple of others and Ferrio slots right in with them, however this is an album that has as much light as shade.

    Without cooling the white-hot intensity of the rock 'n' roll, the album moves into Bait. To describe it as 'lighter' would be wrong but it's certainly airier than its predecessor.

    Listening to Tandy is akin to being caught in a vice-like grip, even if you wanted to escape there's no chance.

    All you can do is sit tight and listen intently, the effort is rewarded by the tender Evensong. After the maelstrom to hear a heart being poured out is a startling moment.

    It's brought into even starker relief by the almost operatic feel to Misery Boys, a song of distinct parts - neither the lyrics nor the melody are there merely to support each other - which come together to produce a much grander whole.

    Singer-songwriter Mike Ferrio is occasionally joined by Ana Egge, their duets creating the sense that he's Gram, and she's you-know-who!

    Incidentally, in terms of packaging this CD ought to be regarded as the benchmark against which all self-released albums are judged. The package includes a lyric booklet, sticker, personally signed band photograph and the video for Girls Like Us - all mightily impressive for a release limited to a mere five hundred copies.

    This would, of course, matter not a jot were the music not so captivating. To A Friend is an album as intimate as it's title suggests, a mature, crafted meditation on the past, which is destined for 'buried treasure' status in the future.

    Tandy - The Lowdown Gammon Fronted by gifted songwriter Mike Ferrio who has a voice somewhere between John Prine and Steve Earle, the New York quartet have been making the rounds now for some six years, totting up three self released albums along the way.

    With a rising awareness of their brand of Americana and now signed to a proper label, they've taken the opportunity of gathering together the best of the old tracks with a couple of new numbers for good measure.

    The presence of tabla on Becky California is indication that they're prepared to explore beyond the usual roots rock fence without sacrificing their distinctive rural mood, and if more recent numbers such as The Truth Is Better Than A Lie or the Byrdsian pedal steel driven Sister Golden Hair are stripped down, the more musically fleshed out likes of The District Doctor, Shine and Ted are no less convincing testimony to the band's keening charms.

    Their Lichtenstein's Oriole album pricked up ears when they played the UK a few years back, and it's good to revisit their lollopping bluesy collaboration with the late Dave Von Ronk on Lorna and be reminded of the Steve Earley I Signed A Circle and the simple but complex storytelling childhood reminiscences of Pictures of China.

    Tandy's latest album ' Lichtenstein's Oriole ' is an ornithologist's delight: Artwork out of the way, the music is pure joy: The album drives along with acoustic and electric guitars from Ferrio and Jay Sherman-Godfrey, aided by Dobro and lap steel from session man David Hamburger, fiddle from Miss Darlene, Sibel Firat's cello, cajun accordion from Charlie Giardano and Ferrio's harmonica.

    It's a fine, fine album with hidden depths and secrets beneath the instant pop appeal. At the Bar Club and a pub gig, Rosie O'Grady's in Camden, in May, they produced as perfect a sound as a band can make, even with a slightly changed line-up, without losing any of the vitality or magic of the album.

    Maybe it's the other way round - the album perfectly captures the ' live ' Tandy. Well, the album was mostly recorded ' live ' in the studio and they have at least three elements working perfectly together in both album and ' live ': Tom McCrum's acoustic sticks drumming on tour he used just brushes and acoustic sticks on snare and never missed a beat.

    Virginian Miss Darlene's fiddle was a smoothly mellifluous constant. Mike Ferrio controlled the whole with his songs: Language can be percussive in its own right; here the words roll rhythmically along, as much an instrument as his harmonica.

    And there were no jokes or wisecracks between songs - just straight into one great song after another. An album to hug to death and buy for special friends.

    I hope they come back to the UK soon. Rochdale's Will Tang hasn't exactly taken the conventional route to gaining UK recognition. He made his name in Hong Kong by starting off in the burgeoning blues and jazz scene before going on to be a highly rated session harmonica player playing for, amongst others, Jackie Chan.

    From there he went on to his first record deal and paling 10, seater stadiums. After a further four albums he decided to come home to the UK, settle in Manchester and release his debut UK album.

    Opening with the eponymous title track, Will sets about realising the boast of the album's title. There is certainly a big change from his last album, The Other Side although eight of the thirteen tracks on offer are from that very same album.

    The title track is acoustic rock that has him in the same class as Paulo Nutini and David Gray. Aztecs Treasure Feature Guarantee. Ba Wang Bie Ji.

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    I Pirati Del Bounty. In It To Win It. Invaders From Planet Moolah. Isle Of Plenty Mega Jackpots. It Came From The Moon. Most power cords on kitchen equipment seem to be designed with optimistic thought that every kitchen has outlets aplenty and always within 2 feet of where you want to use the appliance -- this is no exception.

    Luckily, those of us who actually use our kitchens know how to cope with short appliance cords or shortly learn to cope. All in all, a really nice appliance when you need a griddle and a grill.

    The instructions say not to use outdoors but I'm assuming that means don't use it in inclement weather -- my thought was to use it with an extension cord when having bbq parties and needing more cooking surface than just the bbq and for those who object to food from charcoal grills.

    A large appliance that took up my entire stove top, but works nicely for fixing a traditional breakfast without having to have a grill going on one electric burner and pancakes on another.

    The grill and griddle are not divided for some reason.. That is not terribly inconvenient depending upon what you are cooking, but you need to take it into consideration when preparing pancakes as to size and number if people being served.

    Fat did drain away from the grill, the plates were easy to clean. Keep in mind that it is a bigger than normal grill and if you have limited storage space it might be a challenge to find room for it.

    It has a short power cord and I would hesitate to use an extension cord with it to try to use it outside. The instructions say for indoor use only, and I intend to take them at their word.

    It is also at the high end of the price range for this type of appliance and it is up to the buyer to determine if the additional cost is worth it.

    Heats up quickly Does not smoke.. Easily hand or dishwasher washable Removable grease trap Cons: Does not cook thicker meat cuts all the way through.

    There is no cover to keep the heat in to do so, and no top grill like you find on the George Foreman's Not easily stored. It's too big to fit in a cabinet easily without scratching the surface up Removing the grill is easy enough but getting it back together is a royal pain in the you know what!

    The plug is on the wrong side of the grill for our household. I wish they would put them in the middle so it could reach the outlets without being backwards regardless of how your counter is configured.

    Well constructed and sturdily made but it's usefulness is limited. I remain on my search for a grill to replace my family size George Foreman For most of my indoor grilling needs I use either a George Foreman grill or a Philips Digital AirFryer--however, I was interested in trying this product with the dual grilling areas.

    Very easy to clean. Burgers tasted better than they do with the George Foreman grill--but this is because most of the fat from the burgers remained in the burgers.

    When I use the George Foreman grill the weight of the top presses the extra fat out and it drains away. Obviously, the fat improved the taste--but it will also add to the calorie content.

    Nice to have two areas to cook. It also took much longer to cook than the Foreman and Philips product. Uneven heat--there were areas where the heat was not as hot as other areas and the burgers placed there had to be cooked much longer or moved to the hot areas when those burgers were done.

    This is a good grill--but I prefer both the Foreman and Philips over it. I do think this would be a great grill to take camping if you have an electrical outlet nearby!

    See all 19 reviews. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers.

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